The Buzz Presents: THE SWANKY SWEATER CHRISTMAS JAM Featr. 30 SECONDS TO MARS

Sponsored by UMH Properties, Inc.

102.9 The Buzz's

Swanky Sweater Christmas Jam

 

Starring 30 Seconds To Mars
With Special Guests Atlas Genius
and Beware of Darkness

 

We will be giving away a GUITAR SIGNED BY ALL OF THE BANDS AT THE SHOW!  While you are watching the bands, take a picture of yourself and/or the bands performing and TWEET the picture @1029thebuzz with the hashtag #BuzzSwankySweater.  Everyone that does this DURING the show will be entered to win!

 

 

 

Tuesday, Dec. 10 | 2013
War Memorial Auditorium
Nashville, TN

Tickets On Sale:

WMARocks.com, the TPAC Box Office, and by phone at 615-782-4030.
On Sale limit of 8 tickets.
Ticket Prices:
$35 (Plus applicable fees)


Thirty Seconds To Mars Online
Website | Facebook | Twitter | Instagram

Atlas Genius Online
Website | Facebook | Twitter | SoundCloud | YouTube

Beware of Darkness Online
Website | Facebook | Twitter | YouTube 

 


Thirty Seconds To Mars

Photo: Facebook

Written and recorded around the world from Europe, to India, to the band’s studio in California, LOVE LUST FAITH + DREAMS was produced by Jared Leto with previous collaborator Steve Lillywhite (U2, The Rolling Stones, Peter Gabriel) co-producing four of the twelve tracks. Jared says that “this is more than an evolution, it’s a brand new beginning. Creatively, we've gone to an entirely new place, which is exciting, unexpected, and incredibly inspiring.”

In partnership with NASA, THIRTY SECONDS TO MARS launched the first single from the new album into space. Literally. Sending the very first copy to the International Space Station, it got its ground breaking premiere from the astronauts in orbit 230 miles above Earth.
Not content with stopping there, the artwork for the album was created by world- renowned artist Damien Hirst. ‘Isonicotinic Acid Ethyl Ester’ (2010 - 2011 Household gloss on canvas 99 x 147 in)’ graces the cover of LOVE LUST FAITH + DREAMS, with another Hirst piece titled ‘Monochromatic
Sectors from Primary, Secondary & Tertiary Colour Ring, Dark Centre’ (2012, Signwriting paint on canvas, 96 in.) on the CD itself.  LOVE LUST FAITH + DREAMS is the band’s fourth studio record. It follows This Is War, which was hailed as “an artistic triumph” by Alternative Press, “a shimmering epic” by MTV.com, and contained the No. 1 Modern Rock radio hits “This Is War” and “Kings and Queens.” During its two-year tour in
support of This Is War, the band sold out arenas around the globe, playing over 311 shows in nearly 60 countries on six continents to three million people – and breaking the Guinness World Record® for the longest ever concert tour by a rock band.  Prior to 2009’s This Is War, THIRTY SECONDS TO MARS released second album A Beautiful Lie in 2005. The record produced two Top 5 Modern Rock singles in “From Yesterday” and “The Kill”, with the latter setting a record for the longest-running hit in the history of Modern Rock radio when it remained on the national airplay chart for more than 50 weeks following its number 3 peak in 2006. The video for A Beautiful Lie’s title track and fourth single tok the band 200 miles north of the Arctic Circle... infoinfo... Along with this, “From Yesterday” was the first American music video ever shot in the People’s Republic Of China. THIRTY SECONDS TO MARS – comprising Jared Leto, Shannon Leto and Tomo Milicevic – has sold over 5 million albums worldwide and the band’s videos have more than 300 million views on YouTube. The group has received numerous awards, including a dozen MTV awards worldwide, a Billboard Music award and honors from NME, Kerrang! and Fuse.
Artifact, a documentary about the band’s battle with its record label, has won the People’s Choice documentary award at the 2012 Toronto International Film Festival, the Audience Award at the 2012 Gotham Independent Film Awards and it was also an official selection of the 2013 SXSW film festival.

Thirty Seconds To Mars Online
Website | Facebook | Twitter | Instagram


Atlas Genius

Photo: Facebook

The members of Adelaide, Australia’s Atlas Genius do things a little differently….They set about building a studio where they could write and record music for their newly formed band three years before they even played their first live show as Atlas Genius. “We really got down and dirty with dry walling and literally laying the floorboards, and at the same time we were taking a couple of days a week to focus on writing songs,” recalls Keith Jeffery, Atlas Genius’s vocalist/guitarist. "We had a lot of song ideas and it was important to us to have our own studio where we could experiment and hone in on our sound," adds brother and drummer, Michael Jeffery. Their dream studio, which took two years to build, was designed and outfitted by the brothers with the help of their father (who comes from a music and engineering background). Once the studio was complete, the first song that Atlas Genius finished was a song called “Trojans,” which they wrote, recorded and produced in collaboration with their friend, keyboardist Darren Sell. After many weeks tweaking the song, Michael insisted that the song was ready to be heard outside of the studio walls. Within an hour, “Trojans” was on the Triple J Unearthed Website, SoundCloud, and for sale via TuneCore on iTunes, Amazon and Spotify worldwide.
“We had begun to think that music was a pipedream and we had all gone back to university to pursue more realistic careers,” says Keith. “We’d had such a long slog of playing late nights and working all day, and it felt like we didn’t really have anything to show for it.” But then, in the midst of cramming for their Fall 2011 semester final exams, Neon Gold discovered “Trojans” on the Triple J Unearthed Website and wrote a post praising “Trojans” as a song sure to “invade your head, all dressed up in a clever disguise of earnest vocals riding a hooky riff.” Checking the band’s email account for the first time in over a month, the band found that dozens of record labels, publishers, lawyers, booking agents and management companies from all over the world had contacted them.  “We were trying to focus on school, but it was just impossible,” recalls Keith. “So we said, ‘There’s something going on here. Let’s get back to the music.’”
The band added manager, Jonny Kaps from +1, to their extended family to navigate all of the interest as the band focused on writing and recording more songs.
Quickly named an iTunes Single of the Week in Australia and New Zealand, “Trojans” reached #4 on Hype Machine by the end of May. In August,
SiriusXM Satellite Radio’s Alt-Nation discovered the song on a blog and decided to give it some spins. There was an immediate reaction from listeners, and in September, “Trojans” was placed into heavy rotation, where it maintained a top-five position on the listener-generated Alt-18 countdown and peaked at number one for 4 consecutive weeks in January 2012. “Trojans” began selling over a thousand tracks per week on U.S. iTunes and soon climbed to 45,000 sales - all with zero promotional efforts from the still-unsigned Atlas Genius.
“Knowing we had this audience that was waiting on new songs, we had a much greater sense of purpose than we had before,” says Keith. “It was really exciting to know that there were people who wanted to hear more of our music.” Although labels were clamoring for the band to come to the U.S. and play a series of showcase gigs, Atlas Genius turned down those offers in favor of staying in Adelaide to keep writing and recording new songs. In February 2012, after months of communicating with numerous labels via Skype, the band chose to travel to the US in order to make their label decision.
“We’d never been to America before,” says Keith. “We flew in at night and saw this sea of lights, and it really became apparent to us how massive the U.S. is. It was pretty intimidating - like ‘How do we fit into all this?’” In April 2012, the band returned to the states having made their decision to sign with Warner Bros. Records. “We felt a connection with them,” notes Keith. “Everyone there feels very creative and dedicated to the music.”
The band’s first release from their new label home, the EP Through The Glass (produced, engineered and mixed by the band), came out in June of 2012. With Through The Glass completed, Atlas Genius then holed up in its studio and worked on writing and recording its first full-length album, while at the same time rehearsing for their first ever tour. The tour started in August 2012 which led to three more tours back to back in the US. Thus, their fulllength debut was finished up between tour dates and got completed just before Christmas 2012. When It Was Now was released in the U.S. on February 19th, 2013, with its international release following soon after.
The debut captures Atlas Genius’s singular combination of sophisticated musicality and warm, wistful spirit. Infused with a classic sensibility, each of the songs would fit seamlessly if somehow slipped into a long-treasured mixtape. On the shimmering “Symptoms,” for instance, taut keyboard riffs mesh with urgent acoustic strumming before the band bursts into a gently frenetic, guitar-drenched chorus. Meanwhile, “Back Seat” blends its pulsing bass throb with a sweetly infectious beat and tender vocals that alternately soar and sigh. And on “Trojans,” Atlas Genius begins with a restrained guitar melody and vocal (“Take it off, take it in/Take off all the thoughts of what we’ve been”) before giving way to the handclap-accented, harmony-soaked refrain and lush yet kinetic bridge.
“It’s still surreal,” says Keith of all that’s happened over the past 18 months. “I think when we were very young, we had hopes that something like this might happen one day,” he continues. (Thanks largely to encouragement from their Beatles fanatic parents, who encouraged the brothers to begin playing music by age 14.) “But then you grow up a bit and it seems less and less likely. So when we put ‘Trojans’ out, we figured it would be a success if maybe a hundred people heard it. We don’t want to force our music onto anyone. Our goal is to write songs that we love and we hope they connect with other people too.”

Atlas Genius Online
Website | Facebook | Twitter | SoundCloud | YouTube


Beware of Darkness

Photo: Facebook

Beware of Darkness formed in 2010 after Kyle Nicolaides met Tony Cupito at one of Kyle's shows in downtown Los Angeles. The two began playing
shows with various bass players until they met Daniel Curcio, who was visiting Santa Monica after finding out he had a long lost half brother living there.
Not long after solidifying the lineup, Nicolaides signed a record deal with Bright Antenna Records and began opening up shows for rock legends such as Social Distortion as well as touring with indie act The Wombats.
• In 2012, Beware of Darkness opened for Tegan and Sara, Stone Temple Pilots, Bush, Deftones and played at the 2012 SXSW Festival.
• Four lyric videos for the tracks included on the Howl EP were released April 16, 2012 on the website of American Songwriter. The music video for
the band's debut single "Howl" premiered on September 14, 2012 on Fuse.
• In 2013 Beware of Darkness played the SXSW Festival[7] and embarked on their first UK tour.
• The band's debut record, entitled Orthodox, was released on May 7, 2013 in the United States.
• Throughout the month of July 2013, Beware of Darkness was the opening band for Smashing Pumpkins' European Tour.
• The band's song "Howl" was featured in the video game soundtracks of Saints Row IV and Need for Speed: Most Wanted.

Beware of Darkness Online
Website | Facebook | Twitter | YouTube 

 


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